The Nature of Talent
Steve Spatucci
When I’m well into my septuagenarian years, I’d like to take a decade or so to devote to studying the idea of talent. I’ve been hearing the term for over thirty years now, and I still have no real understanding of what it means.
Trusted dictionary definitions of “talent” turn up phrases like “a characteristic feature, aptitude, or disposition” and “a special, often creative or artistic aptitude”. I can work with that.
But the thing is, I hear “talent” used all the time to describe what I think of as skill. I recently heard a friend described as a “talented database programmer”. That friend is truly great at his job, but I think he’d be better described as a very skilled programmer. His talent - the qualities he’s shown since youth - were probably more along the lines of organization, analysis, and structure. That was, I believe, the basis for him to learn his database skills. I daresay he was not hitting the code books while in preschool.
This is why it bugs me: though creative professionals tend to hear compliments like “you’re so talented” and “I wish I had some of your talent” on a regular basis - always used in a complimentary way - I think it can frequently come off as dismissive. Those who’ve never truly indulged a creative urge (much less made it their course of study and their profession) tend to assume that what comes out of a designer (or musician, author, filmmaker) comes out naturally, and with ease. I don’t agree.
I can tell you that I considered myself to be very talented in the artistic sense up until college. I’d had teachers massage my ego from elementary through high school - I was even placed in a special advanced art program. When I became a Graphic Design major in college, though, I actually learned to harness that raw talent and apply skill and technique to what I already had - which was, in retrospect, a very modest aptitude.
I’m embarrassed to admit that I have not yet read Art is Work by the Godfather of graphic design, Milton Glaser. I did, however, read an excellent interview with him in which he seemed to be confronting the same issues in the book’s title. Art is hard work, every day - and coming from Uncle Miltie, that’s a comforting sentiment.
If I do have a point here, it’s this: Creative professionals work their butts off to create their best work. Maybe it’s better to compliment their efforts, rather than their inborn aptitude, when you’re pleased with their output.
Results here are not conclusive - check back with me in another four decades.
© 2007 Steve Spatucci
Steve Spatucci is a designer, illustrator, animator and game developer from Cherry Hill, New Jersey in the United States. He started working as a freelancer in 1997, and founded his company, Plasmic Studio, in 2002. He worships Jim Henson, Stan Lee, and Gene Simmons – in that order.



















Alexandra
September 10th, 2007
I totally agree.
I have been working as a freelancing soprano for some years now and I can only stress the fact that talent is nice to have but truely worthless as long as you don’t work hard to get at your personal best.
Back to the piano!
Devin
September 10th, 2007
I will agree that talent as a word is thrown around way to often. Honestly, I think it’s just an easy/common way of verbalizing someone’s skills.
I could say that your use of septuagenarian is very “unique” and wonder how long you’ve been waiting to use it in a sentence, or I could tell you how “sagacious” you are.
In other words (no pun intended), if I replace the normal word, unique, interesting, talented, impressive, and fancy it up with a not so used word, might that make all the difference?
Louisa Nicholson
September 10th, 2007
Thanks for mentioning that book and linking to it, I will have to purchase and review it online!
I completely agree that people throw around “Creative” all the time. To minimize this, I call them creative in return. You can usually find something to compliment as being creative, like their haircut or shoes for instance. Get creative with it! (hehe)
Dan Wolfgang
September 10th, 2007
I agree that skill and talent are two very different things. However I don’t see how that precludes a programmer from being skillful and having talent. Without a doubt, to be able to solve some problems that coders face, they must have an aptitude or disposition–yes, talent, even.
While your friend may not have been tapping at the keyboard in preschool, his analytical, structured point-of-view makes him a talented programmer. A talent doesn’t have to be “what you do”–it might be what makes you good at what you do.
Blake Himsl Hunter
September 10th, 2007
The term “Self-taught” really bugs me. It makes the hair on my neck stand up when artists/writers use it because it does a disservice to your abilites if you make it it look like anyone could have pick up those skills. It also does a disservice to the people that infulenced you do create what you create. You would never hire a lawyer who was “self taugt”, you would laugh at them.
Laura
September 10th, 2007
I think sometimes people assume that talent means that an artist doesn’t have to work very hard at his or her craft to accomplish something meaningful. What they don’t realize is that talent is just a starting place. Where an artist takes it is what really counts (and yes, taking talent someplace is hard work).
Good post!
Ryan Terry
September 10th, 2007
Interesting article. I’ve wondered about this sort of thing as well. The hard part is, once you’ve figured out the true meaning of talent then the next question is what causes that talent. This would be a great topic on the radio show called Radio Lab. If you all haven’t listened to it I highly recommend you check out the podcast.
Steve Spatucci
September 10th, 2007
I understand what you’re saying, Devin - when people use the term “talent” as a general compliment to creative professionals, often they’re just saying “I like your work” - but sometimes they’re saying that they believe your work didn’t take effort so much as divine intervention, and that’s what I have a problem with.
Sure, if someone says “you’re so talented,” you probably won’t have a sense of what they really mean unless you ask them to explain themselves, which can be awkward. But creativity is very mysterious to those who don’t employ it primarily in their jobs, and I have had many experiences where it’s been spelled out to me that I’m fortunate not to have to actually work like everyone else does - design just pours out of me. That stings.
This is why I try to never let a client or potential client see me actually working on a design project - not even simple text edits or color changes, if possible. When that happens, they see technical skills at work, and the creative sensibility behind them remains transparent.
Louisa, I like your approach - I do believe everyone has a ton of unused creativity. Maybe acknowledging it helps increase understanding across the board. I did buy Art is Work - let me know if you review it, and I’ll let you know my feedback, too.
chiropetra
September 11th, 2007
However you define it, talent is one of the most vastly over-rated traits in the world today.
There are a lot of people with the talent to write. There are very, very few who are willing to put in the hard, agonizing work necessary to do so.
Granted, almost anything — from writing to playing the Andean Nose Flute — probably comes easier to some people than others. And that’s not a bad definition of talent.
But talent without work and application means absolutely nothing at all. I say that as someone who’s made a living as a free-lance writer for the last 25 years.
It’s instructive to look at the documented differences between Asian and American students in this regard. Americans believe in talent, Asians (Japanese, Koreans, Chinese, Taiwanese, etc.) believe in work. When American students fail at something they tend to think it’s because they don’t have the talent. The Asians typically think they didn’t work hard enough and redouble their efforts. Guess who’s more likely to succeed.
Yes, aptitude is worth something. But not nearly as much as we like to think. Your friend the ‘talented’ database programmer is highly unlikely to have been successful simply because he has innate talent. He got to where he is by working long and hard at it.
Yann
September 11th, 2007
Then, once in a while, you meet someone who’s clearly not working very hard but is just a border line genius at what he/she’s doing. I’ve met a couple of those before and it’s a little depressing when you’re in the 10 meter radius… But once you get home, it gets you all motivated to work even harder
Shane Pearlman
September 14th, 2007
Gallup wrote a book called “First, Break All the Rules: What the World’s Greatest Managers Do Differently“, which studies the question of what great managers do to build their teams and how to select the right people for each position. At the heart of the book was a concept that separated ability into: knowledge, skills & talents, which are distinct elements of a person’s performance. The difference? Skills and knowledge can easily be taught, talents cannot.
We wrote a blog on how to apply this understanding to building a team and to your own success:
Building Loyalty through Success: Talent Vs. Skill
George Coghill
September 15th, 2007
I would have to agree with the sentiments both in the article and in the comments. I think there is a balance in every creative person between skills – which I feel are techniques that can be learned, and talent – which is a nebulous “something”, innate to varying degrees, but also something that is cultivated through work and experience.
My experience growing up was similar to the author’s, and that “raw talent” was something I learned to focus many years later. “Talent” is often something seen by other as natural or spontaneous, when in reality it’s the result of years of passion, dedication and focus towards improvement.
Often times if someone has the impression “That piece only took you “X” hours to draw”, I tell them yes, but it took me 30+ years to be able to draw a piece in “X” hours.
kim
October 11th, 2007
Working at agencies for almost 20 years, I have come to the conclusion that there are a lot of skillful stylists that copy someone else’s technique just to get the job done. There are a lot of “talented copycats” out there.
Kypros
October 20th, 2007
Cool!