How to cultivate mad-hot creative flow, love what you do and double your fees
Jonathan FieldsWhen was the last time you loved working on a project so much, you became completely absorbed in it? Time stood still. Minutes became hours. Hours became days. And, it all felt like seconds. As creative professionals, we drop into this ultra-creative blissful zone here and there.
But, what if you could literally create it on demand? What if you could consistently cultivate that all-immersive state of mind where the product comes tumbling out with astonishing speed and remarkable quality, letting you not only enjoy the process more, but work less, take one more or raise your rates faster?
Good news, you can enter this magical ultra-creative, super-efficient mode more easily than you imagined, you just need to know how.
Getting into the flow.
With the publication of his seminal 1991 book, Flow: The Psychology Of Optimal Experience, Hungarian cognitive scientist, Mihaly Csikszentmihalyi laid out the elements of that magical state artists and athletes called “the zone.”
Through extensive research, he discovered a deeply-engaged state that was not only hugely enjoyable, but highly-replicable, if you knew the elements. And, he also found that this very state fueled the creation of a lot of greatness across all fields.
The elements of flow.
According to Csikszentmihalyi, there are eight fundamental elements of flow. To cultivate the flow-state, a task or project must include as many of these elements as possible:
- Allows you to work toward a clear goal with a well-defined process
- Cultivates deep-concentration
- Creates a lack of a sense of self-consciousness
- Leads to an altered sense of time
- Provides ongoing, direct feedback
- Is highly-challenging, but doable
- Allows for control over the means to accomplish the goal, and
- It’s meaningful or intrinsically rewarding, by the very nature of doing it
Can you enter the flow-state without all of the elements present? Sure. But, the more the better and deeper you’ll get. (Check out Effortless Success for a more in-depth discussion of the elements of flow).
The question is, then…
How can you create more flow in as many professional projects as possible?
While a lot creative-types know about flow, they almost always explore creating it within the boundaries of a single project. That’s better than not at all. But, what’s not so apparent is that when you work as a freelancer, in almost any field, the opportunity to cultivate flow begins long before you take on a project.
Flow begins in your first-contact with a prospect.
In fact, you need to actually make the opportunity for flow an integral part of your decision to accept a new client or project. For example, when I consider taking on a new client, beyond gathering a lot of information and getting as good a beat possible on the personality and work style of the client, I think seriously about whether the nature of the relationship, the content, the timing and the overall project is likely to cultivate flow.
Sometimes, I literally go down the list, but more often than not, I use a simple gut-proxy…passion. I ask, “Am I becoming increasingly excited the more I learn about the project? And, can I get passionate about working on it?”
For me, if the answer to either is no to either, I pass.
Even if it would be good money. Because, when you consistently fill your time with jobs that empty you out, you leave fewer opportunities to create opportunities you love or take on jobs that would fill you with flow. And, you pretty much ensure that you’ll build a career and a clientele that increasingly frustrates the hell out of you, burns you out and leaves you struggling to deliver passable, let alone remarkable work.
This leads to a vicious cycle of passable-work which leads to low/moderate perceived value which leads to low/moderate fees that leave you to feeling like you’ve got take any client who walks in the door just to pay your bills.
Newsflash, if you’ve got lifesucking, low-paying, flow-gobbling clients, the problem isn’t with them…it’s with you!
You took them on. You kept working with them. And, likely, you went back for more after the job was done. What if, instead of propagating a cycle of dissatisfaction and mediocrity, you broke that cycle and set in motion a new one?
What if you initiated a new cycle by becoming increasingly selective about who you accepted as clients and colleagues and included “flow-ability” as an essential selection criteria? What if you launched a cycle born out of passion and flow that led you to not only enjoy what you did on a whole different level, but create better results faster than ever before. A cycle that would lead to more demand, higher fees and deeper satisfaction.
Is this really possible? Absolutely. But, it takes a serious commitment, possibly a bit of savings to bridge the gap and a healthy dose of what legendary 7-figure copywriter and marketing genius, Dan Kennedy so elegantly calls “ a set of brass-balls.”



















Jason
December 20th, 2007
Awesome article!
Most of the time I usually only feel this FLOW when I am working on my own websites, and not that much now with clients. It’s just too bad it takes a lot of time to complete and in the end I am got getting paid for it unless potential clients view it, like it and contact me. There are some odd occasion at my full-time job where I get to work on a project that I feel either creatively inspired to work on or eager to develop based on something new I will learn in the process.
Melissa Donovan
December 20th, 2007
There are few experiences in life that are better than entering “the zone.” I get into it with various projects, including writing and web/graphic design, reading, dancing, and for some odd reason, doing the dishes. It’s important to take note of which activities make us lose time, due to their engaging nature. Thanks for this much-needed reminder!
-Melissa Donovan
Writing Forward
James Chartrand - JCM Enterprises
December 20th, 2007
As a past equestrian, I’ve been in The Zone many, many times. What a place to be. It’s beyond words - and I’m a writer. Can you trap it in your work, capture that feeling? I gotta say… close, maybe, but replicate that Zone athletes revel in? I’m skeptical.
Still, I’ve had that moments when I’ve come *this* close to hitting that mark. And man… what a feeling. Time stands still, words flow, and it’s all good.
All I’m missing is 1500 pounds of power and a saddle. I guess a pen will have to substitute.
Jessica
December 20th, 2007
People in these lines of work tend to become incredibly obsessed with projects easily. There is a clinical name for “the zone” - it’s called hyperfocus. If you don’t spend time on yourself and remember to do the every-day things like chores and spend time with family, you’re really hurting yourself in the end.
I absolutely LOVE my job. I can easily spend 20 hours straight working on a project I love. But it’s not healthy. When you talk about “altered sense of time” that sounds very unhealthy. Artists and Developers are prone to adult ADD and mania - mania as in “deeply-engaged state that was […] hugely enjoyable”. ADD is not just kids who can’t sit still in class, it is a serious problem that adults have to deal with and manifests in many ways.
http://www.additudemag.com/adhd/article/612.html
However, I completely agree with the parts about getting rid of the clients who make your life hell. I only work for the people I want to, and I make more money than my colleagues who keep working for clients they don’t enjoy working for, the types of clients who end up getting more service for less money and you dread answering their calls. If you focus on managing yourself effectively and remember to say no to projects you don’t want, if you price your service at what you’re really work, you will enjoy working and get plenty of work, without developing unhealthy tendencies that you’re probably genetically vulnerable to already.
Now, I have to go finish a job for a client, instead of working on my personal project that I could easily stay up all night working on.
Michael Martine
December 20th, 2007
Somehow I don’t think my clients would want to hear that minutes become hours, and hours become days!
In fact, being in a state of flow is what allows me to work quickly and know exactly what to do in a given situation without a moment’s hesitation. Flow is the opposite of over-analyzing something: flow is having the answer without even thinking.
Personally, I have found that environmental distractions are flow-killers: instant messaging, email alerts, family and friends, the TV on, etc. Remove these distractions to better enter a state of flow.
Great article, Jon. Thanks!
Idil
December 20th, 2007
I’m ONLY ‘in the zone’ when working on personal projects and never on clients work. it’s kind of very hard to get ‘in the zone’ when time is basically against you.
Personally, I have found that environmental distractions are flow-killers: instant messaging, email alerts, family and friends, the TV on, etc
This is very, very true.
mave
December 20th, 2007
Jessica, I agree with you 100%. The jobs where I had the most flow were the jobs where I lost my sense of self and all my healthy boundaries around work. Back when I was still an “employee”, this was a real boon to the companies I worked for, but I was never fairly compensated or appreciated for the work I did during that time. There were times when I was working 96 hour weeks, and LOVING it, but missing out on life and friends and fun.
I don’t want to be a wet blanket. I think flow is a great thing and I hope everyone gets to experience it, but like everything else it needs to be kept in perspective and moderation. It’s great to enjoy the work we do, and to really be able to channel our creativity and productivity to a level where we do great things, but it’s easy to go overboard with it - especially when you are in the “zone”.
Mark Abucayon
December 20th, 2007
I agree with you to 100%. This is very nice article … Thanks for this one.
riki
December 20th, 2007
Yeah I think I only get into the zone when working on personal projects. Even if I’m working on a super cool project for a client, I’d still rather be doing my own thing.
Having said that though, like actors in the movie industry, you need to choose your next role carefully. Otherwise you’ll end up like Dennis Hopper and star in B Grade trash like Waterworld
Tuan Nguyen
December 20th, 2007
I am in “The Zone” all the time. In few more weeks I’ll be in it every day for the next three months. This all began once I realized my potential as a photographer and an artist. This guide here states it very well, and has made me understand why I am in it all the time.
Jonathan Fields
December 20th, 2007
Hey gang,
Great comments all around! A few more thoughts…
1. Flow is not, in and of itself, as bad thing. In fact Csikszentmihalyi’s research over dozens of years makes it pretty clear that the more flow you have in all aspects of your life, the happier you are. So, you’ve got to differentiate between the life-enhancing impact of the flow state and the inability to set boundaries between work and personal life. They are two very different things. Life-balancing, like creating flow, is a skill that, for some people, comes easily, but for most, especially creative types, takes a serious commitment. But, it’s important not to confuse the two.
Flow is good. Always good, whether it’s in work, in personal relationships or pursuits. The inability to balance to allocate your energies to what’s most important in life is not. And, the two are not, by default necessarily linked.
2. It’s important not to associate being “underpaid and overworked” with flow as a necessary element of that state. It’s not. That is a condition that exists independent of flow and would likely continue to exist were you in a state of flow or not. That’s about the way you build your business and, again, it’s important not to associate being taken advantage of as being a “risk” of being able to access a flow state.
If anything, accessing a flow state allows you to work so much more effectively, be more creative, solve problems more easily, be more innovative and work faster. This can become a huge professional asset, not detractor, if you work it correctly, by allowing it to become a giant differentiating point and using it to raise your fees, take on less work and be more choosy about who you work with. Allowing yourself to be professionally abused, because you have the ability to tap into flow on a regular basis isn’t about flow…it’s about you. And, the great thing about this realization is that it empowers you to not be a victim of circumstance, but a master of flow and of life!
3. Last thought on environmental distractions. This is very individual, but I know one of the best and fastest copywriters around these days, a guy who get’s paid a ton of money to write one sales letter. He writes lightning fast, nearly always drops almost instantly into a flow state and he actually writes with Led Zeplin blaring, IM and e-mail open, the TV on and the phones ringing. Environmental distractions may, indeed, make it a bit tougher to “enter” the flow state, but the deeper you get into it, the less they matter. In fact, very often, people in the zone report not being aware of anything outside of the zone-state, while they’re in it, even when there is a ton going on all around them. Food for thought!
Naomi
December 20th, 2007
This is great timing for a New Year’s Resolution, isn’t it? Maybe life is too short to work on projects that bleed you and your creativity dry.
Jessica
December 20th, 2007
Idil says: “it’s kind of very hard to get ‘in the zone’ when time is basically against you.”
If you feel time is against you on all of your projects, you need to estimate your LOE better. If a client comes to me and wants a quote, I estimate the hours and pad it by ~10%. If you constantly find yourself working to the last second on deadlines, add more hours and days into your bid! Using a time tracker (I use toggl.com) helps you find out really how long it takes you to do a project. Compare that to your bid and if you’re not coming in under your bid, you need to consider that when you estimate.
We all need to train our clients to expect realistic deadlines
Jonathan Fields: The example you gave of the individual who worked incredibly fast and dedicated despite the incredible noise and distraction around him is a perfect example of hyperfocus. It’s not a good thing! What if the phone rang and it was his client, calling to tell him rush changes that needed to be made, and he didn’t even hear it? He’d just be wasting his time. What if something more dire happened and he didn’t notice that! It’s also just detrimental to one’s mental health! Yes he gets his work done fast, and I’m sure it’s good quality, but there is a difference between being able to focus on your work and ignore distractions, and being completely oblivious to those distractions. Wouldn’t it just make SENSE to turn off the TV and radio while you’re working? Why would you even have both ON at the same time? It doesn’t make sense to work that way.
We need to be able to pull ourselves away from work and hobbies in order to function in daily life. It’s great to be able to work so intensely on projects you enjoy or even don’t enjoy but pay the bills, but it’s not healthy to work too long on the same thing. Especially when most of us are in front of computers all day
Who else has to go to the optometrist every six months, huh? 
Grace Smith
December 20th, 2007
Great article Jonathon i always enjoy reading your guest posts on FSw! I have worked on projects in the past were i could literally feel my creativity and flow being sucked out of me! I’ve learned through experience that no matter how good the money is, its just not worth it, who wants to be a burnt out freelancer? I have even passed on work recently because i want to devote more time to a few personal projects i am developing, these are just super-important to me as they are free of constraints both creative and time wise and allow me to explore and innovate.
The ability to ‘allocate your energies to whats most important’ is such a simple concept yet so profound!
Elliott Cost
December 20th, 2007
Great article! I’m new to freelancing, so I find this article a very inspiring starting point for me.
Poodle
December 20th, 2007
Uhm, Csikszentmihalyi may be a Hungarian name, but the guy is American. An American psychologist. American.
Sean Hodge
December 20th, 2007
I find that the only things that bring me out of the flow are being yelled at or me being lazy. Other than that I don’t get distracted. If I stop working to check email or read some feeds its because I’m feeling lazy, not because I was distracted. I was wanting a distraction and went looking for it. I do find it difficult sometimes to switch gears. As Freelancers we where so many hats. I enjoy doing graphic design work or very targeted html/css coding work alot. Managing large web projects takes a bit more energy and requires me to do work that I don’t flow as well in.
Great article. I felt the section titled “Flow begins in your first-contact with a prospect” was really on the money. I’ve been Freelancing for about a year now and I’m just now starting to think about passing on jobs that come up. I want to take on more projects I enjoy and less work.
mickey roonie
December 20th, 2007
I never thought about not taking on ignorant, cheap clients! Oh, wait…I’m not freelance and can’t make that decisioni.
rc
December 20th, 2007
Fantastic article. Yes, I’ve been looking for flow more and more in my projects. It’s my main reason for starting to specialize in animation instead of trying to be jack of all trades. And I’ve gotten much pickier about my clients as well, choosing to steer clear of those that i think will make my life a living hell. The point is to do less work (at fantastic quality) for more money, and enjoy life in between.
“Newsflash, if you’ve got lifesucking, low-paying, flow-gobbling clients, the problem isn’t with them…it’s with you!”
Wow, I totally agree with the above statement. That’s as true in picking clients as it is for any other facet of your life. For instance, I got fired early last year from a really bad job. I eventually came to the conclusion that it was my fault, for I should have quit knowing how bad it was and how things always seemed to be stacked against me. If I had quit, I could have freed up time to find something that was a better fit… I guess I was just scared, or a glutton for punishment. Fortunately, it was getting fired that prompted my freelance career. Now I only work on projects I LOVE (because I’m helluv picky), get paid more and work less than any of my full-time friends. I guess everything happens for a reason.
Jon
December 21st, 2007
I’ve experienced flow many a time. If it weren’t for all the distractions at work I really think I’d be in the zone everyday. Co-workers talking about this, that and the other always breaks my concentration; my work is beginning to suffer as a result. I’ll be on the verge of a great concept, for a logo, an ad design or whatever, and somebody hastily interrupts my train of thought with “how do you put the toner in the printer?..I need your help.”
Cathy
December 21st, 2007
Wow, there have been a lot of great comments on this post so far! However, one thing I thought of as I was reading the original post wasn’t brought up in the comments, so I wanted to add it as my take on the subject.
I’ve experienced the “flow” state before. At one time I thought it was just a creative state. However, as Jonathan points out in his comment - I’ve realized that there are times I’m a flow state just going about my life. But, the difference is, I no longer call it a flow state, or creative state. I’ve realized that the “flow” portion of my state is a byproduct of being in emotional balance.
Over the past year, I’ve been actively working on improving my ability to return to emotional balance and stay there longer. Not that I was super out of balance before; I’ve just become much more aware of my reactions and responses to life. As I’ve become more aware of this, I’ve found that the times of emotional balance lead to a “flow” state in my work as well as with my interactions with other people.
It’s not so much a hyper aware/limited focus state, but rather an overall feeling of being in the moment and being able to work with whatever I’m doing in an effective “flow” like state.
Penguin Pete
December 21st, 2007
I must say, you traveled dangerously close to “Use the Force, Luke” with this one.
I see trying to force flow as kind of like trying to force yourself to go to sleep; if you aren’t sleepy, it won’t work. Nevertheless, I agree on looking at “flow potential” on projects. I’m just careful to not be *too* picky… sometimes a client who’s willing to pay a huge sum is enough to generate flow right there!
Another thing I like to do is balance projects. I try to have a wide variety, so I have one client to do Serious Research writing for, another who likes to buy my goofy/funny top ten lists for Digg-bait, and a couple of graphics or coding jobs to break up the monotony. There are different kinds of flow for me: there’s times when I’m in the mood to hack, others when I want to drift along drawing pretty pictures with music on.
But yes, by all means, I avoid work that will be sheer drudgery. Clients are plentiful enough that you can skip the grunt labor.
gregory
December 21st, 2007
flow, zone, all of the comments seem to know the feeling, but what is happening during that feeling… i think the mind has stop, self-concepts have quietened …. and so the way to get it, and retain it, keep the mind quiet
Luke Smith
December 21st, 2007
Great points, including the comments above. Someone said they only felt this flow when working on their own sites, and I can relate to that. I also want to add that this “flow” is something I find to be a function of the degree to which I am empowered; when I am working on my own stuff, naturally I feel quite empowered. Alternatively, though, I have that rarest-of-rare client who trusts me completely. I carry about 10-15 active clients at any given time, and only one of them issues complete trust. They’ll come to me with requirements, and no matter how specific they are, if I deliver a COMPLETELY different solution that nonetheless hits the requirement out of the park, they don’t even blink, they are completely satisfied. I interpret their instructions not literally, but rather as “Here’s my problem; solve it, even if it means doing something other than what I’ve asked for.” This degree of trust is very freeing because I am very empowered and can work in a confident and ambitious head space, instead of “slaving” under the constraints of micro-managed ultra-specific instructions. Design instructions are the worst. Anyway, great site!
mave
December 21st, 2007
Jonathan - I’m sorry, but when I read all this sweetness and light I just see purple kool-aid. Like I said, flow is great, and some of my best and most satisfying work was done when “in the zone”, but if you are going to try to sell it as this panacea that is “always good”, and disregard the very real concerns that come along with it - and real concerns come with anything in this life - that’s where I get off the bus. I don’t think it does anyone a service to speak so idealistically, nor do I think it’s fair to imply that people who struggle with their creativity and balance are “just doing it wrong”.
magical thinking may feel really nice, and it may boost the ego and draw a lot of attention from people seeking answers, but that doesn’t make it effective or useful to those of us who prefer “the real thing”. ultimately this type of thing is just a colossal wank, and an affront to rational thought.
Warren
December 23rd, 2007
Wow. What an article. I think I need to focus more on the flow. It is quite a concept that I really like. I think some reflection is in order.
Bal
December 24th, 2007
I agree that flow is very important to experience.
But I don’t walk away from business just because I’m not flowing. There’s a higher calling for me. It’s called *professionalism.*
I may not take on a client twice if I was bored to tears on project where I assess that it was the work for the particular client and not something I ate.
I have a business to run. I can’t afford - no matter how rich and no matter how close to immortality - the narcissism of needing some “emotion/performance” state before I say yes.
The “yes” comes first. Then it’s up to me to rise to the occasion and generate the flow from within.
Your mileage may vary.
tripdragon
December 26th, 2007
I don’t get it much. You sit at a computer and click buttons. It’s in the amount of times that you go over an area that it starts to stack up time. Re -render a 3d object or re-edit a PS mask comp.
You either make perfect work from the start or “good enough for you and the client” work at the end.
Where does it become the case that you hide how many hours you spent re-tweaking a draft or a final. Do you tell the client that it took this long “cause”… or do you just suck it up and not charge them for the extra hours? Sure when you get crazy pro and can make stuff through the air in one pass over PS or whatever is when one should charge such amounts worth their salt. But does that make it look to easy and fast then?
One fear me and a friend had when making a film for the 48hour festival was that when the boss saw this he would start to expect that this can become a normal thing. And wonder why the company takes so long to develop a film at normal time schedule.
But ! Then we would All including him, would get paid less for less hours worked. ….
I have no idea where that went. Just curious of answers and more questions.
Martin
December 26th, 2007
The divine spark, so meditative… creating and enjoying it like a child! One of the few really meaningfull articles around that make me stay!
Thomas Allen
December 26th, 2007
This article should be entitled “how to steal ideas from A List Apart.”
http://alistapart.com/articles/designingforflow
And that’s from the latest issue.
CyberGus
December 27th, 2007
@Jessica
I think that if you love your job you don’t need to spend 22 hours a day, the flow is necessary to work faster cause you are hyperfocused, then you have time for your family or other things… I think that’s the point!
typographer
January 9th, 2008
Are those double spaces after periods in the article? Reminds of typewriter days.
jason
January 11th, 2008
I completely disagree with Jessica-I think she’s subconsciously denying the fact that her job probably sucks and she has no soul anymore.
This article made the most sense out of anything I read all 2007! As a competetive skier and mountain biker - now graphic designer, I completely relate to this article. Although not quite as raw as being dialed when big mountain skiing because of the actual adrenaline involved, graphic design does give me a similar feeling. I definitely get into the same sort of zone, and instead of feeling pure adrenaline and accomplishment, I become elated in a different way-especially when I’ve been at something for a while and it finally evolves into a great conceptual piece.
Great article! Very interesting and helpful.
chadlonius
March 24th, 2008
Excellent article, just what I needed.