5 Steps to Building Your Freelance Portfolio From Nothing
So you’re a brand-new freelancer with no work for your portfolio. How can you get started building your business?

We all know it’s tough to get a job without experience, and tough to get experience without a job. But you can break this cycle and start getting some samples. You really only need three or four to get started marketing your freelance services to paying prospects.
The trick is, your want these samples to look great, so you’ll choose your targets carefully. If you’re a writer, for instance, clips from Associated Content or other content mills are unlikely to impress anyone.
Instead, target small publications, local nonprofits, or small businesses that have a great reputation. How can you find these first gigs? By using what I like to call the low-hanging fruit method.
The Low-Hanging Fruit Method
It works like this: to make this break-in process as easy and fast as possible, you should target clients where you already have some knowledge of what they do. Ideally, these are small businesses where you know the owner, or otherwise have some sort of personal connection to the organization.
Target the low-hanging fruit that relate to your life and work experience, and break in the easy way.
You go after the client where it’s easy to make a strong case that you are the freelancer for them, because of your experience with their topic or type of freelance work.
Your dream niche might be to write about natural pet care, but if you haven’t worked for a company that makes those products or for a pet store and have never owned a pet, it will be harder to jump into that from a cold start. It’ll be easier to get a few initial clips in areas where you can demonstrate you know the subject matter.
So save yourself a lot of agony. Target the low-hanging fruit that relate to your life and work experience, and break in the easy way.
Step 1: Look At Your Life
To find your best targets for creating freebie samples, you first need to discover which types of markets are your personal low-hanging fruit.
Let’s take the example of Cindi, who’s trying to break in as a freelance writer. Here’s her story: She used to work in a restaurant and her dad sold insurance. She’s a longtime Rotarian. She nursed her aunt through two bouts of cancer, so she learned a lot of hospital and medical lingo.
She also took a stab at being a professional home organizer at one point. And she has a personal blog about tattoos.
These life experiences give Cindi an edge with the types of businesses and organizations she knows from her work and life experience. Her categories of low-hanging fruit prospects include:
- Local restaurants
- Insurance brokers and insurance companies
- The national Rotarian magazine or local Rotary club’s website.
- Local cancer or rehab clinics
- Professional organizer associations
- Tattoo parlors
Once you’ve identified the types of clients where you know their industry, you want to identify specific prospects who might be willing to take a flier and let you do a small project for them. Often, this is as easy as walking your main street or city center and noting the business names to spot ones that fit your knowledge.
Likewise, if you’ve volunteered designing newsletters for a local nonprofit, going after other nonprofits that have newsletters that could use design help would be your low-hanging fruit approach.
Step 2: Find Your Opportunity
Now that you have a list of where you have experience and types of clients that are likely prospects, it’s time to research what these various industries pay to see where the opportunity is best. There are many resources for doing this:
- On the publications side, you could check out the Writers’ Market.
- If it’s an industry, you can scan your local business pages, pick up a business weekly, or perhaps purchase a Book of Lists for your nearest major city. These guides state revenue for many public and private companies across many industries, so you could get a sense of who might be good future clients, and where the money is in your region. Some cities have a ton of medical facilities, while others are technology hubs, for instance.
- There are also business databases including Hoovers and Manta that may help you identify businesses and find revenue figures.
- You can set your Google search on the “News” tab or check PR websites such as PR Newswire for announcements in your industry — sometimes the company will brag about signing a big client or about their rising sales. That’s your cue that they might be a good client.
My newbie writer would probably quickly discover that there’s big money in healthcare and insurance, where right now restaurant is still struggling — and tattoo parlors don’t tend to have huge marketing budgets. So if Cindi wants to maximize her earnings, she might decide to hit those first two niches off the bat.
Step 3: Develop Your Prospect List
Now that you’ve identified your best-money opportunities, it’s time to find specific businesses, nonprofits, publications, or organizations to pitch.
What types of prospects are most likely to hire a newbie freelancer to do a project for them? The type that are too small to hire an in-house designer or writer, and also too small to afford a top-of-the-line $100-an-hour freelance pro. You are a perfect fit for:
- Mom-and-pop stores you patronize
- Nonprofits you support
- Professional organizations you know
- Small, local publications you read
Once you’ve identified some prospects, start researching their current marketing materials — check out their website, pick up their Chamber of Commerce brochure, or read their newsletter. While you’re doing this, look for holes in their marketing that you might fill. Perhaps their newsletter is plain text and could use a designer, or their blog hasn’t been updated in six months. Armed with this, research information about where your prospects might need your services, and you are ready to try to get a gig.
Two key things to look for: The marketing weakness you’ve spotted involves doing a type of freelancing you want to do more of in future. For example, they need blogging and you want to do that for pay, or they need graphic design and that’s your thing. Don’t get stuck doing a freelance assignment that won’t help you get the gigs you want.
The ideal situation is to approach prospects where you personally know the owner or publications editor, and can casually ask them whether they could use some marketing help. Next best is to have a friend or acquaintance who knows the owner introduce you.
Beyond that, you might send a letter of introduction, call them on the phone, or reach out to them on LinkedIn with your pitch, to name just a few possible marketing approaches.
Step 4: Pitch Without Seeming Desperate
You might think that approaching a small business owner to ask if you can work for them gratis would come off pretty pathetic. But you can make this pitch in a way that sounds professional.
Here’s a sample of how to present a free-work pitch with dignity:
Dear [prospect]:
I’m reaching out to you because I’m a freelance [writer, designer, etc.] looking to build my portfolio in the area of [this type of assignment–grantwriting, newsletter design, etc.,].
[NOTE how this does not say you're brand-new to freelancing and have no clips yet! This isn't a fact you necessarily have to disclose.]
In analyzing your current marketing materials, I noticed your website lacked [case studies, product descriptions, an updated blog, etc.]
[Briefly describe your experience with this industry – why you know their business or type of marketing need from work, hobby, etc.]
Because I want to build my reputation in this area, I’d be willing to do [name your small project here] for you without charge. All I’d ask in return is your willingness to refer and recommend me in future if you’re happy with my work – and not to mention that I did this project for you without charge. I also need to be able to claim credit for this piece.
We both win here – you get free marketing help and I get a valuable portfolio piece to my credit. I’m happy to tell you more about my [your type of freelance niche here - writing, design, etc.] background and discuss this with you further.
Let me know if you’re interested –
[Signature]
However you phrase it, keep it professional and straightforward. This is a mutual-need situation: You need clips, and they need marketing help. Simple as that.
Step 5: Negotiate Your Terms
Once you’ve got a client interested in letting you do a free sample, it’s time to define your relationship. Hopefully, you’ve mentioned what you need from this arrangement in your pitch, as shown above. But even so, before you start working, be sure to get confirmation in writing that the client agrees to your terms:
- Define a small project. Don’t get sucked into designing a 100-page annual report or sign a contract to blog daily for three months without pay.
- This client is sworn to secrecy that you did this work without pay. As far as future prospects will know, this was a paying client.
- If the client is happy with your work, they will give you a testimonial.
- The client is also willing to refer you to others in their industry or niche.
- You will be allowed to take credit for this work and use it in your portfolio — do not sign a nondisclosure agreement that forbids you from using the project as a sample.
Beyond these special pro-bono project considerations, be sure to define terms just as you would with a paying client — exactly what you’ll do and when the project is due.
If you set this up right, you’ll execute a small project and the client will be ecstatic. They may well hire you back for pay to do additional work.
In any case, you should end up with a useful sample, a recommendation, and maybe even some referrals to paying clients. Now, you’re on your way to creating a professional-looking portfolio and lining up paying clients.
How did you get your first work samples for your portfolio? Leave a comment and add your tips.



Would building fictitious websites also work? Like if I can’t find a client in my area, could I build a fictional restaurant website and feature it in my portfolio? Or do you need to have that client interaction to make it “legit”?
Creating samples like this is always a last resort in my view, Andrew. The reason? Prospects know there was no client you made happy here, and no editor.
It’s always better to find a local small business you could do a site for, where there’s a real client giving you a testimonial.
Hey i’m a 3D and 2D graphic.
I like the letter and some of the notes you wrote here but I’m already past the working for free stage. I’m in the process of looking for new clients and I took alot of what you have here and converted it for paying gigs.
Was wondering if you had any extra tips or advice for that.
Hi Nathan –
If you’ve already got a portfolio, you’re ready to send a straightforward letter of introduction to your targeted prospects — ideally, one where you can show that personal connection to what they’re doing (or even better, a personal reference from someone they know), and/or can demonstrate you get marketing results with similar clients, by offering a quick link to a key sample.
Good information. This is exactly where I am now in my freelancing dreams. I need to build a portfolio.
When I started out designing, I didn’t have any clients and would create fake sites for brands that I liked and eventually it paid off.
Thanks for the feedback Adam!
Interesting idea! As noted above, I’m not a fan of self-created samples…but if you’re going to do them, why not think big and show what you’d do with a name brand. I like the creativity there, and you get to associate yourself with a big brand that way.
Nice article. i have learnt at least one or two things, especially how to request a client to give you some work in return you get to use it as a portfolio project..
Thought this was a good idea but I probably wouldn’t advise anyone to do as such. I mean my approach is kind of similar but the way it’s being discussed seems kinda longwinded. If you’re interested in landing that person quickly, I’d change it up a bit.
If we are talking about pro-bono work for portfolio work, this is what I would do:
1. Pick your 3 or 4 businesses you want to do work for. It’s best to choose some that you’re familiar with whether you’ve purchase their product or if you’ve been involved with their brand. That’s a personal connection.
2. Learn as much about that brand as possible. Try to figure out what direction they’re moving in or what they hold dear. This is as simple as reading an about me section or checking their social media links.
3. Send that letter. Only change I would make is why I chose this person…what’s my connection to you? Can I give them a compliment about how much I love the product? I also wouldn’t tell them what they’re doing WRONG, I’d tell them opportunities I saw in relationship to the direction I thought they were going. Describing your experience is also irrelevant.
They will ask if they care, but at this point you should’ve sold them personally (relationship) and with your suggestions.
4. Terms? I guess in terms of copyrights and being able to use the work on the portfolio…but the chances are that if you do free or cheap work for someone, they’ll want that to continue. So make sure you do a GREAT job so you can reference the work and ask for 2-3 referrals.
I also try to target businesses and organizations that have a bit of publicity or pull in the community. So for example, if I wanted to notify my blog or FB page I’m working with the person, local heads know exactly who I’m talking about and it establishes my value. No one has to know you did it for free.
I don’t think there’s anything wrong with doin a larger project for free as long as you are free to tell everyone you did or you can document it as a case study.
It’s all about visibility and getting potentials to see your value!
Thanks for adding a great point – you definitely want to bring in any connection you can make about why you know their industry or brand.
How can i work with clients and i have no portfolio in the field i work in
?
You’d be surprised how many small nonprofits and small business owners would be willing to give you a shot if they don’t have to pay, Khalid. And once you’ve done that 3-4 times, you’ve got a few samples. You’ve built a starter portfolio, and you’re ready to pitch paying clients.
I interviewed The Well-Fed Writer’s Peter Bowerman at one point and he described the tiny, pathetic little portfolio he started out with. Even one or two samples can help you start getting paying gigs.
Hi,
I wanted to thank you for writing such a great article about this matter. Its really important to know how to get your foot into the industry
I just started learning 2D/3D Art and Im currently working on my Portfolio by simply creating art that looks awesome and pieces that are very different from each other but not for speciphic clients yet at all.
I just want to show the world that I exist and that I can create wonderful pieces of art.
What do you think about this kind of creation process – Its obvious that working with a Client is more productive through marketing reasons etc.. but, is it really such a bad Idea to do so?
And another question.
As a newbie, my self confidence as an Artist is fairly low. So Im a lil bit reluctant to send your (geniously written) letter to possible clients and may be even afraid not to be experienced/good enough to fullfill the clients needs.
Do you have any advice how I can increase my self confidence as an Artist and overcome fears of rejection.
Again thank you dearly for this article, I would love to give you technique a try.
Hi Maru –
Self-created samples are better than nothing…and never nearly as good as having samples from an actual client.
The only cure for it is at some point, to start pitching for pro bono client work and getting those samples where a client would give you a testimonial. Then, you pitch for pay. There isn’t any way to build that self-confidence except to go out and do some gigs.
It’s like a vicious circle, where newbies are scared to go out and get client work, so they’re scared to go out and get client work…you have to break out of this at some point.
Maru –
This usually passes with experience. Once you had a few clients that say you have done some great work you start to build up confidence. I find that we are our harshest critic. There is allot of great artists out there but remember we all bring something unique to the table.
One other way to build your portfolio – especially if you are a designer is to take part in contests and crowd-sourcing websites like 99designs etc. If you are skilled enough, you stand decent chance of winning some cash and you also get to build your portfolio over time.