12 Negotiation Tips Freelance Writers Can Use to Earn More

When a prospect offers you a freelance writing gig, do you find yourself nearly jumping up and shouting, “Yes! Me! Pick me!”?
If so, you are probably leaving money on the table. If you played it cool and negotiated, you could make more.
Many freelance writers don’t like to negotiate. I find there are three big reasons why:
- You’re scared you’ll lose the client if you dare ask for more.
- You don’t think you’re worth more.
- The type of client you work for is a website that offers everyone the same pittance, take it or leave it.
If you’re writing for those low-rent websites, it’s time to think about prospecting and finding better clients. You want clients with wiggle room in their budgets, who can be convinced to pay you a fair rate.
Know that outside the online slums, most writing clients you encounter are at least a bit flexible on pay.
How can you improve your freelance pay? Negotiate.
How? Here are my 12 negotiation tips:
1. Understand the game
For many professionals, negotiating is part of the fun. If you simply accept their first offer, they’ll think less of you. In many cultures, it would even be insulting not to haggle a little. So know that it’s OK to negotiate. The worst they can do is say “no” — they can’t come up, and their first offer is their final one.
I’ve never heard from a writer who felt they lost a gig by trying to negotiate. So go for it.
2. Stress your expertise
In presenting your bid, be sure to stress why you are the perfect writer for this gig. For instance, you know all about nursing because you used to be a nurse — so you’re perfect to write this hospital recruiting package for nurses.
Writers with specific expertise in a topic are simply worth more.
Writers with specific expertise in a topic are simply worth more. So don’t sell yourself short if you have relevant experience.
3. Make them blink first
Try to get your prospect to name a figure before you say anything about what you charge. You’ll be surprised how often their number is substantially higher than the one you have in your head.
If I’ve talked to a prospect for upwards of 30 minutes and we’ve defined the work they need done, I’m ready to get an idea of whether they can afford me. There are many ways to ask, but I find a simple, straightforward question such as, “Can you tell me what your budget is for this project?” is often best. You’ll be surprised how often a prospect will simply tell you what they’ve got to spend.
4. Delay and use silence
If your prospect doesn’t have a clue about rates and is looking to you for insight, don’t pop out with an estimate until you know all the project details. Simply put them off, saying you’ll need to get back to them with a quote once you know more.
Don’t respond immediately if they throw out a bid that’s too low for you. I’ve had prospects bid up their own proposal without my saying a word, simply by staying quiet and not answering immediately. People hate silence, and will naturally move to fill it, even if it means giving up more money.
You can extend this silence technique further and tell the prospect you’ll need to take a day to think about. Responding immediately to bid requests makes you seem desperate, anyway.
5. Refuse to blind bid
Are you answering those Craigslist ads where they ask you to send in your rates before you know much of anything about the gig? Don’t attempt to figure out an exact figure you should charge here — it’s impossible.
My stock response to blind requests for a bid is, “I write from $X a word to $X a word or more and from $X-$X per hour and up, depending on the situation. Once I know your project details, I’ll be able to give you a precise quote.”
6. Raise reasonable objections
Is there a concrete reason why the pay should be more? Then bring it up.
I once added $2,000 to a contract by pointing out the request was for rush work. Then I just let that idea sit.
I once added $2,000 to a contract by pointing out the request was for rush work. Then I just let that idea sit.
“You’re right — it should be $300 a blog post, not $200,” they finally replied.
7. Ask for feedback
If you’re uncertain whether you’ve bid too high, you can always end your proposal with, “If you’re considering another writer purely on price, I’d appreciate a chance to know that and to reconsider my bid.” I’ve never had someone take me up on it, but it’s a way of saying you’re very interested in the gig and want to stay in the running.
8. …Or stand firm
Some writers I know feel this approach makes you look desperate and weak. If you dislike this stance, then deliver your bid and say, “That’s what it’s worth to me to do this writing assignment.” Final offer. Bam. The end. Stand your ground if they try to get you for less.
9. Get a project fee
Clients will ask what your hourly or per-word rate is, but try to avoid revealing it. You’ll always make more by presenting a flat project bid, in which you won’t be penalized for being concise or efficient.
I’ve had clients end up paying me $200 an hour through project rates on writing topics I knew well, but you’d be hard-pressed to get that on an hourly contract.
Say, “Here’s what the project entails, and here’s what I’ll charge you for that.” Stress that this is better for the client, as they now know exactly what to budget for cost on this project. With an hourly or per-word fee, the end price will vary depending on the final result, which creates uncertainty for the client as well as for you.
10. Negotiate the terms
If you can’t find any “give” on price, you can always get paid faster. This improves your cash flow and saves you money by helping you avoid interest payments on debt you incur while you wait for payments, a syndrome all too common among freelance writers.
I once had a magazine client that paid about six months after you turned in your article — if everything went well and your article didn’t get pushed off to a future issue, that is. As with many print publications, their rates were fairly set.
To improve my situation, I negotiated to get paid half my fee when I turned in the first draft. This made waiting endlessly for the final payment half as painful.
11. Negotiate the deadline
If the money offered is small, maybe they’ll have to wait a bit longer to get the writing from you. Better-paying gigs should take priority over lower-paid ones, and extending the deadline out will take the pressure off — and let you bring in more money in the long run.
12. Don’t have a rate sheet
Don’t straightjacket yourself into paying a set rate before you have a chance to weigh all the issues surrounding this gig.
While I know some writers like to post a rate sheet on their writer website to screen out lowball bidders, I’m against it. Once you’ve posted your range of fees, you’ll never get more. Also, every prospect will want whatever the lowest rate is that you’ve published.
Every writing gig is unique and its level of stress and difficulty depends on many factors. Don’t straightjacket yourself into paying a set rate before you have a chance to weigh all the issues surrounding this gig.
What if a prospect wanted to pay more, but sees you don’t think you’re worth that price? Or a great situation came up with a dream client that pays less than your usual rate, but you would love to write for them just for the portfolio enhancement? Let fees be a conversation you hold with each client, instead of sending some away with a published rate chart.
How do you negotiate to get more money on writing gigs? Leave a comment and add to my tips.
Photo credit: Some rights reserved by PixelsAway.



If permitted, I would like to pitch in and add something.
13. While you are busy negotiating and arriving at a mutually agreeable rates for your freelancing services, consider EXPANDING and branching out your business to turn your skills into a more lucrative – virtually non-negotiable skill where you and ONLY you command the price you deserve – everytime.
How about launching your own infoproduct – starting with a tiny 15-30 page report selling for $7-10 a pop, scaling up into an eBook of 30-80 pages and earn $17-37 a piece, or a training or coaching course that brings in $47-127 per sale, and then finally high end membership site or even a $2997 live coaching seminar with 300+ attendees in a true Internet Guru style some day?
I think developing our own infoproducts is a completely different topic, Vasant — though having some ebooks certainly helps impress clients and can help you command better rates. So maybe there’s an indirect benefit to your freelance work.
And I think your ebook prices there may be a bit unrealistic, unless you’re a rock star — my 220-page ebook is $36.
Hi Carol,
I do agree that the prices sound and look unrealistic, because they were just given as illustration. Arriving at the right charge or pricing for your work is again a subject beyond the scope of the current article altogether.
I have seen cases where the product creators give out a 5-7 day free e-Course (“worth $37″) or even a FULL-fledged video course for free (“worth $197″) – usually seen in Internet Marketing/Health related niches or some high-end pre-selling and is more often than not done to build a loyal customer base (in ANY niche imaginable).
The premise of my writing was moving several rungs above “negotiating your rates.” Why negotiate and why not start commanding what you are worth? Again, my 2 cents, and thanks for commenting.
Hi Carol,
These are great tips I am a freelance web designer and I must say a lot of them can be modified to fit this also. Especially the rate sheet, I used to use this technique but found out I was losing more money, which is never good!
Thanks
Joe
I don’t think there’s anything wrong for having a fee schedule for internal use. You can send it to people who inquire about fees. It’s a great way of screening out the price shoppers and the tire kickers.
But on the website? I agree with the writer of this article. Best to keep the rates away from the site.
I know people who like to have a rate sheet to screen out lowballers, but I think it locks you into a place you may not want to be with particular clients.
I’ve had such a variety — clients who were a dream to work with, and others who were truly a nightmare. Some who’d say, “Oh, just get this done whenever you have time!” and others who’d want you to do the impossible in no time with nothing.
Why should they pay an equal rate? I want problem clients to pay more, so no set rates for me.
Also, having a rate sheet might send away a client you might really want for a strategic reason — their niche is one you want to get into, for instance — but they can’t quite make your budget.
I’d rather make that decision on a case by case basis, what I want to charge.
This is great! Wow…Thanks Carol! You always give the best advice!
I’ve never thought of 3, 4, and 5. And I definitely agree with 12 and the rest. I took down my rate sheet weeks ago.. I’m doing something right after all…
Great tips. Recently went through a negotiation myself and really enjoyed reading this post. Keep up the good work Carol! Will definitely be referring back to this in the future.
Stressing your expertise works for me, especially when it comes to ghost writing. Apparently, some freelance writers don’t understand the meaning of ghost writing. One client was upset that a writer wanted to take a project in a different direction and expected to receive credit for the written work. I was taken aback. I reassured the client that I understood what it means to be a ‘ghost writer’ and that I wouldn’t take the project in a different direction (I would make suggestions when warranted) or demand credit since I’m being hired as a ghost writer. I don’t know. I have enough ‘personal writing’ projects that will have my name on them.
i think this negotiation tips are very useful. Freelance guides and tips provided by you are very good and best in regards that your provide pure Freelancing guides. blog writing and negotiation writing are two different things. so you must be able to distinguish these two.